The Killer

Action, lots of action, in a slow but elegant film. It was the first time, to my knowledge, that I saw a film made in Hong Kong. John Woo, its director, gained some international notoriety and would even, long after this film, have some work in western cinema. In general, I liked the movie. I'm not an undefeated fan of action cinema, but I felt that this film manages to balance the explosive action (even better and more intense than in North American films) with a satisfying script. The story revolves around a professional killer who, after accidentally blinding a bar singer, starts to protect her. He will, however, have to kill a mobster and escape from the police, who understand the relationship between the singer and the bandit and start to watch her. Chow Yun-Fat is the film's lead actor, and the only actor I somehow remember seeing, though I can't say where. He is charismatic and intense, and makes his character a tough man but, at the same time, able to capture the audience's sympathy. Danny Lee, in the role of a police inspector, and Sally Yeh, as the singer, also give us a pleasant job. The film's focal point is the intense, explosive action. No means were spared in achieving impressive fight and shootout scenes, and in that respect, both the stuntmen and the special effects team deserve praise. The film has good sets and costumes, and the cinematography has a visual beauty very typical of oriental films, where the color is intense, vivid, something important and always valued. The film is about an hour and a half long, but the pace is quite slow, denoting a certain stretch of the script, and this is the biggest negative criticism I can give it.

63/100 After accidentally blinding a singer, an assassin vows one last job to pay for corneal transplants. You can guess how that went. This early, ultra-typical John Woo / Chow Yun-Fat film, with its massive body count and guns with enough ammo to shoot a parade of attackers at least a half dozen times each, still manages to present a good story with real, personal characters and heartfelt relationships. True that they seem forced and kinda rushed but when you'll dealing with a film that's 75% bloody violence, you make the best with what you have left. Good stuff. - DrNostromo.com