FEATURE FILM

Silver Wheel

9.0/10
TMDB1 vote
Original: 12 min

Silver Wheel (Bicycle in Dream) is a PR film that was produced to promote the export of bicycles. However, Matsumoto Toshio, who was an employee of the Shin-riken Pictures, which had been contracted to produce the film, asked for the cooperation of Yamaguchi Katsuhiro, Kitadai Shozo and Takemitsu Toru, at the time members of Jikken Kobo, and also invited the participation of Tsuburaya Eiji, the leading expert in the field of special effects. Therefore, this work depicts a young boy’s dreams concerning a bicycle, while making the most of the realistic and materialistic character of bicycle parts and of surreal and fantasy-like scenes. Due to the course of its production and the fresh images and music used, this was seen as being the first example of experimental cinema in postwar Japan.

Genres:
Cast: Not available

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THE STORY & THE PEOPLE

About Silver Wheel

Silver Wheel (1955) is a film in the animation genres. Directed by , , .

Released
Original language
Runtime
12 minutes
Status
Released
Production countries
Japan
Production companies
Shin Riken Eiga
Writers
Toshio Matsumoto, 北代省三, 山口勝弘

Audience reviews

9.0/10 from 1 TMDB votes. Ratings and reviews are supplied by TMDB. Reviews are attributed to their original authors.

No review excerpts are available for this title yet.

Questions about Silver Wheel

What is Silver Wheel about?

Silver Wheel (Bicycle in Dream) is a PR film that was produced to promote the export of bicycles. However, Matsumoto Toshio, who was an employee of the Shin-riken Pictures, which had been contracted to produce the film, asked for the cooperation of Yamaguchi Katsuhiro, Kitadai Shozo and Takemitsu Toru, at the time members of Jikken Kobo, and also invited the participation of Tsuburaya Eiji, the leading expert in the field of special effects. Therefore, this work depicts a young boy’s dreams concerning a bicycle, while making the most of the realistic and materialistic character of bicycle parts and of surreal and fantasy-like scenes. Due to the course of its production and the fresh images and music used, this was seen as being the first example of experimental cinema in postwar Japan.

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