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One of the longest handheld tracking shots in film history, It’s Real documents an hour in the street life of downtown Manhattan. Not only is it a unique record of a particular time and place—July 26, 1990, from 3:45 to 4:45 p.m. in the Lower East Side near Robert Frank’s studio (we note in a Daily News headline that after some 20 years the Zodiac killer still hasn’t been identified)—it’s also an experiment in fragmentary language, gesture, and life caught unawares. Snippets of dialogue captured in passing at phone booths and crosswalks, in alleyways, subways, and diners—chance encounters, only presumably, with people going about their day—have something of the aleatory cut-up technique of the Dadaists in the 1920s and William Burroughs and Byron Gysin in the 1950s, an effort to divine new and deeper meanings in ordinary life. — Museum of Modern Art
Genres: Documentary
Cast: Taylor Mead, Peter Orlovsky, Odessa Taft, Jim Stark, Kevin J. O'Connor
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FILMManhattan. July 26, 1990. 15:45 ~ 16:45.
One Hour (1990) is a film in the documentary genres. Directed by Robert Frank. The cast includes Taylor Mead, Peter Orlovsky, Odessa Taft, Jim Stark.
Taylor MeadCast member
Peter OrlovskyCast member
Kevin J. O'ConnorCast member
William RiceCast member6.6/10 from 5 TMDB votes. Ratings and reviews are supplied by TMDB. Reviews are attributed to their original authors.
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One of the longest handheld tracking shots in film history, It’s Real documents an hour in the street life of downtown Manhattan. Not only is it a unique record of a particular time and place—July 26, 1990, from 3:45 to 4:45 p.m. in the Lower East Side near Robert Frank’s studio (we note in a Daily News headline that after some 20 years the Zodiac killer still hasn’t been identified)—it’s also an experiment in fragmentary language, gesture, and life caught unawares. Snippets of dialogue captured in passing at phone booths and crosswalks, in alleyways, subways, and diners—chance encounters, only presumably, with people going about their day—have something of the aleatory cut-up technique of the Dadaists in the 1920s and William Burroughs and Byron Gysin in the 1950s, an effort to divine new and deeper meanings in ordinary life. — Museum of Modern Art
Taylor Mead, Peter Orlovsky, Odessa Taft, Jim Stark, Kevin J. O'Connor, William Rice. See the cast cards above for character names.
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