FEATURE FILM

Eye / Machine III

10.0/10
TMDB1 vote
Original: 25 min

The third part of the Eye/Machine cycle structures the material around the concept of the operational image. These are images which do not portray a process but are themselves part of a process. As early as the Eighties, cruise missiles used a stored image of a real landscape then took an actual image during flight, the software compared the two images. A comparison between idea and reality, a confrontation between pure war and the impurity of the actual. This confrontation is also a montage and montage is always about similarity and difference. Many operational images show coloured guidance lines, intended to portray the work of recognition. The lines tell us emphatically what is all important in these images, and just as emphatically what is of no importance at all. Superfluous reality is denied – a constant denial provoking opposition.

Genres:
Cast: Not available

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THE STORY & THE PEOPLE

About Eye / Machine III

Eye / Machine III (2003) is a film. Directed by .

Released
Original language
Runtime
25 minutes
Status
Released
Production countries
Germany
Directors
Writers
Harun Farocki

Audience reviews

10.0/10 from 1 TMDB votes. Ratings and reviews are supplied by TMDB. Reviews are attributed to their original authors.

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Questions about Eye / Machine III

What is Eye / Machine III about?

The third part of the Eye/Machine cycle structures the material around the concept of the operational image. These are images which do not portray a process but are themselves part of a process. As early as the Eighties, cruise missiles used a stored image of a real landscape then took an actual image during flight, the software compared the two images. A comparison between idea and reality, a confrontation between pure war and the impurity of the actual. This confrontation is also a montage and montage is always about similarity and difference. Many operational images show coloured guidance lines, intended to portray the work of recognition. The lines tell us emphatically what is all important in these images, and just as emphatically what is of no importance at all. Superfluous reality is denied – a constant denial provoking opposition.

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